آخرین مطالب
امکانات وب
Haroon is sitting at the back seat of his bulletproof Land
Cruiser that is going on a two way traffic road. It's 11:00
PM and the fortnight moon is shining in the sky. Osman is
driving and there is no much traffic. Karim Khan is sitting
in the front seat with a gun in hand. Haroon is also carrying
a pistol with many chargers in his coat's pockett.
INT. INSIDE A TAXI - NIGHT
Yousuf Khan is sitting in disguise as and old man in a taxi.
There are four armed men with him. He is talking to someone
on the phonee.
YOUSUF KHAN
Hello Kabir, tom logue tayyar houu.
KABIR (O.S.)
Jee bahye jan. Ham sab jeep mey beta
howayey. A'p jedar kahengey, ham
dus minute mey ajahengeyy.
YOUSUF KHAN
Acha tom jeep lehkar apney adami ke
saht amarey basti sey bahr a'u or
mera phone ko intezar kaa. Khuda
hafizz.
Yousuf khan cuts the phone and orders his man who is driving
the taxi to follow Haroon's car leaving a space of 150-200
meter between the two vehicles with the taxi's headlights
off. Yousuf Khan calls Haroonn.
YOUSUF KHAN
Hello Haroon! Do you hear mee?
HAROON
Yes I do. Keya baht heyy?
YOUSUF KHAN
I'm coming behind you. I've
information that there will be an
ambush in front of us, but I don't
know the exact place. So be carefull.
HAROON
Don't worry Khan bai. If my days
are over, I'm going to be killed in
a road accident. Otherwise nobody
can kill mee.
The car enters an area where there is a slum. No sooner than
Haroon wants to say another sentence that his land cruiser
comes to a sudden stopp.
HAROON
(form the back seat
of the car)
Keya baht hey Osman, gare keyoun
rokdeyaa?
OSMAN
Rasta band hey Haroon sahab. Kesee
ne eik van ke zarehey rasta band
keya hey. Keya karoun, peechey jawounn?
HAROON
Nahey, teez chalo or wos van ko maroun
peechey sey. Yeh bulletproof land
cruiser hamara rasta koleygaa.
Osman puts his foot on the gas pedal, but before reaching
the van, 4 men armed with machine guns appear from the back
of the vehicle and start firing in unison on Haroon's car.
Osman hits hard at the back of the van running over one of
the attackers. The weight and strength of the bulletproof
Land Cruiser throw the van to the side of the road. The
sound of firing now comes from behind too and Haroon feels
the impact of bullets on his land cruiser. He takes his
cell phone and calls Yousuf Khann.
HAROON
Khan bahye a'p zara amarey peechey
cover karey, ham agey ko samalengeyy.
YOUSUF KHAN (O.S.)
OK. Just waitt.
Yousuf Khan disconnects the phone and orders his driver:
YOUSUF KHAN
Shukoor bai headlight full karkey
teez chaloo.
His headlights full, the taxi driver accelerates. Now Yousuf
Khan and his men can clearly see three men firing at Haroon's
car with machine guns. Yousuf khan and his men start firing
at the enemy. Two of the bad guys are killed at the sight,
the third one is injured pulling himself to the side of the
road staying down. Yousuf Khan calls Haroonn.
YOUSUF KHAN
Your back is clean now. What should
we doo.
HAROON (O.S.)
Our back isn't quite clean and safe
yet. There is one or two more guys
firing from behind. So, please take
care of themm.
YOUSUF KHAN
Don't worry, we'll take care of them,
but don't disconnect the phonee.
HAROON
Okk.
The remaining man targeting the trunk of Haroon's Land
cruiser, change another charger and keep on firing without
concatenation. But Yousuf Khan and his three men having
arrived at the scene, shower him with bulletss.
YOUSUF KHAN
(talking to Haroon on
the phone)
Your back is clean now. What's your
next movee?
HAROON
I think we've to move forwardd.
YOUSUF KHAN (O.S.)
OK brother, I'm coming. But let me
call Kabir and tell him to come
towards us checking the remaining
parts of the road. When Kabir arrives
here, we'll move togetherr.
HAROON
OK. We'll wait here for a whilee.
Moments later, a jeep arrives with a couple of men. Yousuf
Khan orders Kabir to go ahead of Haroon's car. He follows
them with the taxi from behind. They reach the building in
which Haroon lives. Yousuf Khan and his men quickly get out
of the taxi and circle around Haroon's land cruiserr.
Haroon opens the back door of his car and gets out. Karim
and Osman get into the building and before long, Karim appears
from behind the main door of the building signaling with his
hand at Yousuf Khan and others to get in. They form a circle
around Haroon and lead him to his apartmentt.
INT. HAROON'S APARTMENT - NIGHT
YOUSUF KHAN
(sitting with his men
and Haroon in the
living room of the
apartment)
Shukr us Khuda ka ke hamey eikbar or
bacha deyaa.
HAROON
Yeah! We've had a very entertaining
night full of singing, dancing,
fighting and firing. By the way Khan
bahye, how did you know that they'll
attack me after getting out of The
Rose Restaurant at end of my programm?
YOUSUF KHAN
When I worked as a software developer,
I had written a program by which you
could hack cell phones and listen to
the selected numbers' conversations.
Woh program mery pass taa.
HAROON
(interrupting Yousuf
Khan)
Or jab tomney Ranjeet sey jagatpal
or Malik ka phone numbers leya,
tomney, wahee software use karkey
unlogo ka phone hack kardeyaa.
YOUSUF KHAN
Jee han. Meney Jagatpal or kesey
Mator nam ka adami ke bahtey record
keya hey ke us guftogo ke darmeyan
woh Mator Jagatpal ko assurance
detahey ke yeh Rose Restaurant ka
performance, Haroon kehleyeh pehly
or akheri performance ogaa.
HAROON
Woh sab recorded batey kesey mehfoouz
jaga mey bacha kar rakko. Osakta
hey key court mey amarey kam ajaheyy.
YOUSUF KHAN
Tom chenta matkaro. Merey pass Mr.
Malik ke khelaf voice or video ka
soboot hey. Serf Jagatpal ka nahey
ta, keyoun woh apney sara kam Malik
ke wasetey kartata. Magar sabsey
pehly, hamey yeh Mator ko khatem
kaa hogaa.
HAROON
You mean murder. Are you sure you
gonna kill himm?
YOUSUF KHAN
Jee han. Agar ham osey nahey mara,
to woh hamey maregaa.
HAROON
Yeh kam etna aasan nahey heyy.
YOUSUF KHAN
Paisa har mushkel ko aasan karega.
Etney sal ghair qanooni kam kaey
sey, merey pas haram ka kamahey bohat
hey. Kesee harami ko maey kehleyeh,
woh haram ka kamahi kam pey lagadongaa.
HAROON
Acha tom jano or tomara kam. Mujhey
ab sona hey. A'p bee soja hey. Kal
soba hamey apney AIKEDO practice
kaa heyy.
YOUSUF KHAN
Tom sojau. Mey eik text message
beij kar sojaoungaa.
Haroon goes to his bedroom and Yousuf Khan starts typing a
text message and sends it to someone by the name of Haider
Khann.
INT. KHAN'S HOUSE'S BACKYARD - EARLY MORNING
Haroon, Karim Khan, Osman and a couple of other young men
are practicing AIKEDO with wooden sticks when Sahil Khan
wearing a sub-inspector's uniform enterss.
HAROON
(with a grin)
Kya baht hey Khan sahab? Edar kesee
ana huwaa?
SAHIL KHAN
Hamey khabar melee hey keh kal raht
a'p par qatelana hamla huwa or a'p
abtak kohey report darj nahey keyy.
HAROON
Agar report darj karoun to a'p kya
karleyngey? Kessee ke khelaf action
lengeyy?
SAHIL KHAN
Jee ha leyngey, zaroor leyngey.
Agar a'p ko kesee par shak hey to
amey bata-deejey. Ham taqeeqat karkey
mujrim ko bohat jalt pagar-leyngey.
I'll find the culpritt.
HAROON
Khan sahab! Your English has improved
a lott.
SAHIL KHAN
My English was good from before, but
I've just completed my studies and
training and got promoted to the
rank of a sub-inspector, and have
been assigned to work at the police
station in this area. Now let's not
digress from the topic. Keya a'p ko
kesee par shak heyy?
HAROON
Shak nahi, yaqeen hey or saboot be,
magar a'p unlogo ke khelaf koch nahi
karsako geyy.
SAHIL KHAN
A'p unlogo ka nam hamey bata-deejey.
Ham wada kartey hey keh qanoon a'p
ka saht degaa.
HAROON
Khan sahab a'p jantey hey keh amarey
aney key ba'd, es mohalley mey
positive changes agaya hey. Hafta
deyna or lena band hochoka hey.
Yousfu Khan or uska adami sahey rastey
pey agayee heyy.
SAHIL KHAN
(interrupting Haroon)
Juwa or sharab khaney ka kam kharab
ogaya hey or gharib logue kehleyeh
English or computer courses free or
bohat sastey mey melraha heyy.
HAROON
Or hamarey wajey sey, a'p ko cheap
music bee melta heyy.
SAHIL KHAN
Yeh sab to teeg hey, magar a'p kohee
nam nahey deya. Kohn hey wo logue
jo a'p key peechey parchoka heyy?
HAROON
I think those who have had a stake
in all these illegal businesses,
have become our enemyy.
SAHIL KHAN
Acha to mey chalta houn. A'p yeh
mera card leejey. Esmey mera private
cell number bee hey. Agar zaroorat
parey to mujhey phone kardey jey.
Khuda hafizz.
HAROON
Khuda Hafiz Khan sahabb.
INT. HAROON'S APARTMENT - DAY
Yousuf Khan, Haroon, Osman and Karim are having tea when the
sound of receiving a message comes from one of the cell
phoness.
YOUSUF KHAN
Merey leyeh message hey, woh bee
Haider Khan seyy.
HAROON
Yeh Haider Khan kohn heyy?
YOUSUF KHAN
Eik adami hey jo hamey Motor ko
pohnchaney mey madad karsaktaheyy.
Yousuf Khan starts to write another message to Haider Khan
asking him to come to Haroon's English Center by 03:00 P.M.
He sends the message. And after a couple of seconds, he
receives an OK from Haider Khann.
INT. HAROON'S OFFICE, ENGLISH COURSE - DAY
Haroon is checking his mail and Yousuf Khan is reading a
computer programming book. Haroon opens a letter that has
come from UNESCO's Bombay Office. Reading the letter, Haroon
stands from his chairr.
HAROON
(shaking his right
hand's fist)
Yes, yess.
YOUSUF KHAN
Keya baht hey Haroon sahab. A'p
bohat khosh nazar a'raha heyy?
HAROON
UNESCO has approved my proposal for
paying the rent of this English
Coursee.
Yousuf Khan wants to say something, but the voice of a man
somewhat familiar for Khan stops himm.
THE VOICE
Keya mey under a'sakta hounn?
Seeing Haider Khan at the door, Yousuf Khan stands up.
YOUSUF KHAN
As salamu alaikum, Khan bai. Mujhee
yaqeen nahey ta keh a'p etney jalty
a'yengeyy.
HAIDER KHAN
A'p bolayeh or ham na a'heye. Wo
a'p ka ehsan jo teen sa'l pehley,
amarey ezzat or gar ko barbadi sey
bachadeya ta, hamey yad heyy.
YOUSUF KHAN
Acha to Khan bai, woh porani batoun
ko choreye. Ab koch naya baht kartey
heyy.
HAIDER KHAN
Kaheyeh, mey a'p kehleyeh keya
karsakta hounn?
YOUSUF KHAN
Mujhey eik adami ka tasweer or patta
chahey-yehh.
HAIDER KHAN
Kohn hey wo? Uska na'm keya heyy?
YOUSUF KHAN
Na'm hey Mator or ka'm hey logoun ka
khoon kaaa.
HAIDER KHAN
Kya yeh wahee Mator to nahey jo
Jagatpal kehleyeh kam karta heyy?
YOUSUF KHAN
Jee han. Yeh mator or uska adami kal
raht amarey maey ka plan banaya
ta. Magar KHUDA ke fazlu karam sey,
ham bach gayeyy.
HAIDER KHAN
Per, a'p ka ka'm Beam Singh kar-sakta
heyy.
YOUSUF KHAN
Tom khod keyoun nahi karteyy?
HAIDER KHAN
Keyoun ke yeh adami bohat khataak
hey or usko peechey, barey logue
kara huwa hey. Mey Beam Singh ko es
kam kehleyeh recommend kar raha houn
keyoun ke Mator or Beam Singh ka
kahee bar jang bee howata. Or a'p
ko es dushmani sey faida lena
chaheyehh.
YOUSUF KHAN
Mator ko maey sey tom keyoun dartey
houn. Yeh eik boree cancer hey jo
borey logue ka sa't deykar achayee
or sachayee ko khatem kaey ka kam
karta hey. Meyre kheyal mey esko
maey mey kohee guna nahey heyy.
HAIDER KHAN
Yeh Mator kabhee kabhee Obroy Hotel
mey apney eik girlfriend ke pass
jakar swimming karta heyy.
YOUSUF KHAN
Chalo tom uska picture or pata mujhey
deydo, mey kesee or ko es kam kehleyeh
doonta hounn.
HAIDER KHAN
Apka yeh kam mey zaroor karongaa.
YOUSUF KHAN
Kabb?
HAIDER KHAN
Teen char den meyy.
YOUSUF KHAN
Acha. Tom Beam Sing ko bee eikbar
mery pass bejo. Mey uskey sa't baht
kaa chata hounn.
HAIDER KHAN
Chalo teeg heyy.
Haider Khan stands up to get going.
YOUSUF KHAN
(putting a thick
envelop in Haider
Khan's hand)
Es mey eik lak hey. Kam khatem kaey
ke ba'd, mey dou lak or dongaa.
HAIDER KHAN
Khan bai, mey koshish karonga. Keyoun
ke a'p ko mujper bahot ehsan hey.
Acha to Khuda Hafizz.
YOUSUF KHAN
Khuda Hafizz.
INT. A ROOM WITH A COUPLE OF COMPUTERS AND RECORDING
EQUIPMENT - DAY
Yousuf Khan is sitting behind a desk and rewinding a digital
tape recorder and listening to Malik and Jagatpal's voices
when his cell phone rings. He puts his hand in the right
pocket of his jacket and gets the phone out. Seeing Haider
Khan's name on the screen, Yousuf Khan answers the calll.
YOUSUF KHAN
Kaheyyeh Khan sahab. Keya khabar
heyy?
HAIDER KHAN (O.S.)
A'p tora sey intezar nahey karsakteyy.
YOUSUF KHAN
Nahee Khan bai, besabri neyam sey
bahr agaya heyy.
HAIDER KHAN (O.S.)
Chalo apko or intezar mey nahey
rakkonga. Mey woh haseen larkee ka
picture or pata cell phone ke zarehey
beijta hounn.
YOUSUF KHAN
Shukria Khan bai. Khuda Hafizz.
Yousuf Khan waits for a few seconds disconnecting the call.
Then he hears the sound of receiving a message in his I-phone.
He opens the message and its attachment. The photo of a strong
man having moustache, appears on the screen of the cell phone.
Yousuf Khan reads the text messagee:
"Yeh hey M. Esney Oberoi Hotel mey eik kamra kal soba sey
reserve keya hey. M. ko swimming bohat pasand hey. Essee-
leyeh a'p usko hotel ka swimming pool mey bee melsaktey heyy".
CUT TO:
INT. OBEROI HOTEL - DAY
Yousuf Khan enters the hotel reception in disguise as a
bearded guy, carrying a SAMSONITE BRIEFCASE wearing black
suit, ties, glasses and kerpan. He goes to the reception
deskk.
YOUSUF KHAN
(to a young lady sitting
in the reception)
Good moing. Mera naam Ranbeer hey.
Mey business ke selseley mey Dehli sey
Bombay ayahoun. Keya mujhee eik camra
melegaa?
THE RECEPTIONIST
Zara apney ID or passport deydeejeyy.
YOUSUF KHAN
(giving a forged piece
of ID)
Yeh leejey, mera IDD.
THE RECEPTIONIST
(taking the ID and
putting the name and
particulars into the
hotel's system)
Ranbeer Malotra, rightt?
YOUSUF KHAN
Rightt.
THE RECEPTIONIST
Ketney den kehleyeh a'pko camra
chaheyehh?
YOUSUF KHAN
Felhal to teen den kehleyeh loonga.
Agar kam khatem nahuwa to pehr extend
karengeyy.
THE RECEPTIONIST
Acha jeee.
YOUSUF KHAN
By the way Miss. I want a room with
the swimming pool vieww.
THE RECEPTIONIST
Eik minute sir. Mey check kartee hounn.
The reception searches into the computer and after a few
seconds, she sayss:
THE RECEPTIONIST
Mr. Ranbeer! A'p bohat lucky ho. Eik
double room 9th floor mey khaley heyy.
YOUSUF KHAN
Great! I'll take thatt.
THE RECEPTIONIST
OK sir. A'p payment kesey kareengeyy?
YOUSUF KHAN
(giving a credit card
by the name of Ranbeer)
Yeh leejey mera Credit Card. I can
pay some cash as a deposit tooo.
THE RECEPTIONIST
Credit card is OK sirr.
The receptionist swipes the card into the system and then
prints a receiptt.
THE RECEPTIONIST
(giving the receipt
to Yousuf Khan)
Mr. Ranbir! This is your receipt.
Your room is 909 on the ninth floor
and our staff will take your luggage
to your roomm.
The receptionists presses a button and a man with hotel's
uniform appearss.
THE RECEPTIONIST
Sham Lal! Sahab ka luggage room 909
tak poanchadoo.
The man takes the luggage putting it on a trolley and starts
pulling. Yousuf Khan follows him into the elevatorr.
INT. HOTEL CORRIDOR - DAY.
The elevator's door opens and Yousuf Khan and the bellhop
get outt.
BELLHOP
(to Yousuf Khan)
This way sirr.
Yousuf Khan follows the bellhop to the door of room 909.
Khan opens the door with a card and gets in. The bellhop
brings the luggage insidee.
INT. ROOM 909, HOTEL - DAY
BELLHOP
A'p ko or koch cha-heyehh?
YOUSUF KHAN
(Giving a Rs.500.00
note to the porter)
Shukria bai sahab. Agar kesee cheez
ko zarorat huwa, to mey a'p ko zaroor
bulowongaa.
The bellhop gets out closing the door behind. Yousuf Khan
opens one of the windows of his room that gives a clear
perspective of the hotel's swimming pool. Then, he opens
his Samsonite luggage and searches one layer deep under his
clothess.
Khan reaches a thick plastic bag and takes it out. There is
something like a taped water pipe. He gets a small scissor
from under one of his shirts and cuts the tape and the pipe.
The barrel of a gun appears. He also opens the stock, the
telescope, the charger and the trigger of the gun that are
camouflaged inside rubber and thick plasticss.
Khan combines all parts of the gun, except the stock. Cleaning
the parts with one of his cotton shirts, he puts them back
in the Samsonite case. He also gets a thin pair of gloves
from his coat's pocket and puts them on top of the stock of
the gun. Then he closes the case and checks if it's locked
properly. Wearing his glasses, Khan gets out of his room
and takes the elevator to go to the hotel's restaurantt.
INT. HOTEL'S RESTAURANT - NOON
Yousuf Khan still in disguise is taking food from the open buffet
in the hotel restaurant. There are many guests scattered here
and there around tables. He takes some food and sits at a table
near the entrance door. While eating he keeps an eye on everyone
coming and going out of the restaurantt.
Mator, the man he was looking for appears with a pretty tall
girl, hand in hand and behind them comes a strong man who
seems to be a bodyguard. Khan takes his cell phone and brings
the picture of Mator on its screen comparing the photo with
the man and making sure that its the right person he wants.
The picture matches with the man sitting with the girl a few
meters away from Khan who hears their conversationn.
THE GIRL
(The girl in a
complaining mood to
Mator)
Es bar mujhey melney mey bohat deer
kardeyaa.
MATOR
(taking the girls
right hand and kissing
it)
Keya karo meyree jan. A'j kal mey bohat
busy houn. Ka'm etna zeyada hey key eik
den bee chottee nahey melta. Tom to jantee
hey ke Dehli mey Jagatpal sahab ka karo
bar, mey samaltahounn.
THE GIRL
A'j keya program hey a'p kaa?
MATOR
Chalo swimming key ba'd, mey tomaree
dance or ganey key program a'j raht
zaroor deykongaa.
THE GIRL
Great! At least tonight you are
with mee.
Yousuf Khan finishes the remnants of the food in his plate
and cleaning his lips with the tissue paper in his hand,
waves towards a waiter who is standing in the coer. The
waiter comess.
THE WAITER
Jee sir! A'p ko kesee cheez ke
zaroorat heyy?
YOUSUF KHAN
(taking Rs.5000.00 from
his pocket and putting
the money on the table)
Mujhey jana hey. Yeh hey panch hazar.
I think it's enough for my bill and
your tipp.
THE WAITER
Thank you sir. Yeh kafi heyy.
Yousuf Khan goes towards the exit door and walks out of the
hotel's restaurantt.
INT. ROOM 909, HOTEL - AFTERNOON
Yousuf Khan, who has equipped his gun with a telescope, is
aiming towards the swimming pool of the hotel searching for
a target. Khan is wearing gloves in his handss.
Through the gun's telescope, we see, Mator standing on the
edge of the pool besides his dancer girlfriendd.
EXT. SWIMMING POOL - DAY
Mator dives into the pool and swims towards a floated mattress
seeming to be reserved for him. There are two bottles of
whisky and wine on the luxury mattress. Sitting on the
floated mattress, Mator signals with his hand towards his
girlfriendd.
MATOR
Come on Neelam. Let's have a drink
inside the pooll.
Neelam wearing a blue bikini jumps in and swimming under
water, she gets hold of the mattress. Mator takes her hand
helping Neelam to get on the mattress with minimum effort.
They laugh. Mator prepares two cups of drinks. Gives one
to Neelam. Hitting their cups softly with each other, they
start taking some sips from their drinkss.
INT. BACK TO THE ROOM 909 - DAY
Yousuf Khan is aiming at Mator's forehead who is relaxing on
his back facing towards Khan's room. The gun's mounted
telescope shows that Khan is on the right track. He pulls
the trigger and the bullet passes through Mator's headd.
EXT. SWIMMING POOL - SAME TIME
Blood oozes from the target's forehead and smears Neelam's
face and body who keeps on screaming from fear jumping into
the water. The bullet that has hit Mator, passes through
the mattress causing it to deflatee.
Mator's lifeless body is drowning with the deflated mattress in
the pool. His bodyguard has no idea what has happened. He takes
a look at the roof of the hotel thinking that the sniper must
have fired at his boss from there. But he cannot see anythingg.
INT. BACK TO YOUSUF KHAN'S ROOM, HOTEL - MOMENTS LATER
As soon as Khan makes sure that he has hit the target, he
leaves his room without wasting anytime. He takes a newspaper
that's on the table, gets out of the room putting the sign
of don't disturb at the handle of the door. He cleans once
again the door's handle from both sides with his gloves and
then takes them off putting at his coat's pocket. Taking
the elevator, Khan gets down in the lobby and goes towards
the exit door trying to cover his face behind the newspaper.
Getting out of the hotel's main door, Yousuf Khan takes off
his KERPAN and raps it in the newspaper in his hand. Crossing
the street, he get's into a taxii.
YOUSUF KHAN
(to the taxi driver)
Rose restaurant pleasee.
The taxi driver starts driving. Yousuf Khan takes his cell
phone and begins searching. When he finds the name Kabir,
he presses the call buttonn.
YOUSUF KHAN
Hello Kabirr.
KABIR (O.S.)
Jee bai jann.
YOUSUF KHAN
Tom garey leykar Rose Restaurant ke
parking mey jalty a'jauu.
Yousuf Khan disconnects the phone, opens the paper, takes
the Kerpan and drops it under his feet in the taxi. Then,
makes himself busy reading the newspaper trying not to talk
or show his face to the taxi driverr.
INT. OBEROY HOTEL - RECEPTION - DAY
The receptionist's phone is ringing. She picks up the phone
and a man's voice is heard from the other sidee.
THE MAN (O.S.)
Madame, mey houn A'kash. Edar swimming
pool mey qatel huwa hey. Meyne police
ko phone kardeya hey, a'p bee jo
formalities hey wo poora karleejeyy.
EXT. ROSE RESTAURANT PARKING - AFTERNOON
A taxi stops in the parking of Rose Restaurant.
YOUSUF KHAN
(getting out of the
taxi and giving a
500 note to the driver)
Yeh leejey bai sahab, apka keraya.
You can keep the changee.
Khan walks towards the entrance door of the Restaurant. Waits
there for a few seconds. As soon as the taxi leaves the parking
area, Khan comes back looking for Kabir. He finds his jeep parked
in one side of the parking with Kabir and Osman inside. Yousuf
Khan goes towards the jeep and tries to open its door, but Osman
lowering the car's window stops himm.
OSMAN
(showing his pistol)
Bai sahab, a'p ghalat garey mey agahey heyy.
YOUSUF KHAN
Nahee. Yeh mera garey hey. Zara
mujeh gar tak left deejeyy.
OSMAN
(surprised upon seeing
Yousuf Khan in
disguise, opens the
door)
Sorry Khan bai. Meney a'p ko es
dress mey peychana naheee.
Yousuf Khan gets in and Kabir starts the car. Soon the
vehicle gets out of the parking and hits the roadd.
EXT. STREET LEADING TO PANT NAGRA - DAY
Kabir drives with care and attention. Osman a gun in hand,
searches his right coat pocket. He takes a revolver out and
gives it to Yousuf Khann.
OSMAN
Khan bai, yeh gar tak apney pas
rakkeyeh. Es shar mey, a'p ka dushman
zeyada or dost kam heyy.
Yousuf Khan takes the gun in hand until they reach home.
Entering his house, Khan goes directly to the washroom. He
takes off the artificial beard, moustache and glasses. Then,
washes his face and removes the green lenses that he had put
in his eyes bringing himself back to his original complexionn.
INT. LIVING ROOM, KHAN'S HOUSE - EVENING
Yousuf Khan comes to the living room of his big house with a bag
in his hand. He puts the back on a table in front of him. Then
asks Kabir to call Ranjeet. While Kabir is searching Ranjeet's
number on his cell phone, inspector Pahndey enterss.
INSPECTOR PAHNDEY
Keya mey andar a'sakta hounn?
YOUSUF KHAN
A'p already andar a'chokey hey.
Khair kohey baht nahi. Kahee-yeh,
mey a'p kehleyeh keya karsakta hounn?
INSPECTOR PANDEY
Felhal to chand sawal ka jawab deejeyy.
YOUSUF KHAN
Lo, karlo baht. Jab mey gundey or
badmash logo ke sa't kam karta ta,
hafta leyta ta or ghareebon ka khoon
peeta ta, to a'p kabee mujhe sawal
nahi keya. Ab jo mey-ney borahee ka
rasta chordeya hey, a'p poochtaj
kaey a'gahey. Chalo, poocheyehh.
INSPECTOR PAHNDEY
Acha to a'p a'j kaha teyy?
YOUSUF KHAN
Edar, apney gar mey. Keya baht hey
inspector sahab? Saf saf kahey-yehh.
INSPECTOR PAHNDEY
Acting achey karleytey houn. Jesey
ke Mator key qatel ke scheme mey a'p
ka kohee samband naheee.
YOUSUF KHAN
A'p keya kehrahey hey. Yeh Mator
kohn heyy?
INSPECTOR PAHNDEY
Boley matbanou Khan. Yeh Mator,
Jagatpal ke khas adami ta jou a'j
dopehr, Oberoi Hotel ke swimming
pool mey pani ke jaga apney khoon ke
darya mey swimming kar key margayaa.
YOUSUF KHAN
Yeh baht a'p mujhee keyoun bata rahey
hey. Rozana, es mulk mey deir sari
adami ka qatel hota hey. Kesee ko
pollution ma'rta hey, kessee ko
corruption, or kessee ko hotel ka
accommodation. Es mey, meyra keya
qusoor. A'p saboot kara kar key,
qatel ko greftar kareyy.
INSPECTOR PAHNDEY
Khan, mey janta houn ke es khoon ke
peechey, tomara ha't hey, magar mey
shak ke bunyad par kam nahi karonga.
Mey wapas akar tomey deykongaa.
YOUSUF KHAN
Beshak a'p wapas a'jahey. Magar
arrest warrant or saboot ke sa'tt.
Inspector Pahndey, tus back and walks out of the door.
Khan goes towards Ranjeet's room with a hand back in hand.
He knocks the door. It is opened and Ranjeet appears in the
middlee.
RANJEET
Khan bai, a'p aney ko keyoun takleef
keya. Mujey apney pass bola deytaa.
YOUSUF KHAN
Tomey to a'j raht kohee khas program
nahi heyy?
RANJEET
Mujhey Jagatpal Sahab key pass jana
hey. Usney abhi abhi phone par mujhey
bolaya or uska aawaz sey eysa lakta
ta ke woh bahot ghussey mey heyy.
YOUSUF KHAN
Ona chaheyeh. Uska khas adami, Mator
jo mara gaya heyy.
RANJEET
Keya yeh sach hey bai jann?
YOUSUF KHAN
Belkol such hey. Abhee abhee
Inspector Pahndey edar ayata or es
qatel ke barey mey mujsey poochtaj
keyaa.
RANJEET
Ab to Jagatpal mujhey nahi choregaa.
YOUSUF KHAN
Don't worry, mey tomey eysa rahsta
dekawonga ke Jagatpal tom sey khosh
okar tomey ina'm bee deygaa.
RANJEET
Mey a'p ke sa't har rastey pey janey
kehleyeh tayyar hounn.
YOUSUF KHAN
Pehr ghour sey snow. Agar Jagatpal
tomsey Mator ke qatel ke barey mey
koch poocha, to batau ke tomney Beam
Singh ko Khan ke sa't deyka taa.
RANJEET
Agar yeh baht ghalat sabet huwa to
Jagatpal mujhey zaroor maregaa.
YOUSUF KHAN
Yeh baht ghalat nahi heyy.
Yousuf Khan calls Kabir giving him a bundle of keys.
YOUSUF KHAN
Kabir, zara yeh chaveya leykar eik
lak ropeya amarey SAFE sey lehkar
a'uu.
Kabir takes the keys and goes upstairs. Moments later, he
comes back with two bundles of money and puts them on the
table in front of Yousuf Khann.
YOUSUF KHAN
(Giving the money to
Ranjeet)
Yeh lo Ranjeet, yeh hey eik lak
peshakey. Agar tomney meyra kam
kardeya to mey tomey dou lak or dongaa.
RANJEET
Kam keya heyy?
YOUSUF KHAN
Mey tomey eik jacket deyta houn jeskey
dou ooper wali jeybo mey dou iPhone
fit kaey ka jaga hey. Yeh dou
phones video recording karta hey or
Inteet ke zarehey mey donou phones
per control karsakta hounn.
RANJEET
Mey woh jacket ke sa't keya karongaa?
YOUSUF KHAN
Tom Jagatpal ka koch eysa kam
recording karkey lau jo oskey galey
mey pasi ke panda honey mey qabel
houu.
RANJEET
Yeh kam to bahot khataak heyy.
YOUSUF KHAN
Zendagee ka safar mey to har qadam
mey khatra hey. Meney yeh dou phones
ke sa't Mr. Malik ka koch kaameh
recording kar key apney pass rakka
hey jo hamarey bore den mey kam
a'heyga. Tom be khod ko bachaney
kehleyeh koch karoo.
RANJEET
Chalo mey es kam kehleyeh tayyar
hounn.
Yousuf Khan takes a step forward and searches through the
hand bag on the table. He takes a jacket from the bag which
has a unique design with some small and big buttons over
every pocket. Yousuf Khan opens the buttons of the two upper
pockets of the jacket that are bigger than the other ones.
Khan recovers one I-Phone from the right pocket and opens
it's video option. He calls Ranjeett.
YOUSUF KHAN
Edar a'u Ranjeet or deikk.
Ranjeet comes forward and takes a look at the video in the I-
Phone. Ranjeet is dumbfounded when he sees Beam Singh sitting
with Khan and talking about Mator who tried to kill Haroon
and Yousuf Khann.
RANJEET
(in a state of surprise
and shock)
Hay Ram! Mujhey yaqeen nahey a'raha
hey. Yeh video es phone mey kesey
ayaa?
YOUSUF KHAN
Yeh mera fixed hidden security cameras ka
kamal hey jo es haweely ke kohney kohney
mey install ochoka hey. Meney sarey
cameras ko Inteet ke zarihey apney phone
ke sa't connect keya heyy.
RANJEET
It means that you've bugged my room tooo.
YOUSUF KHAN
Yes. All rooms in this house is
under surveillancee.
Khan gives phone in his hand to Ranjeet.
YOUSUF KHAN
Ab yeh phone tom leylo or apna phone a'j
raht kehleyeh mujhey deido. Eysa eik or
phone es jacket ka dosri jeib mey heyy.
RANJEET
Dou phones sey mey keya karoongaa?
YOUSUF KHAN
Dosra phone leykar tom eik wire key
sa't apney wo peyar kaey ka saman
ke neechey, peechey sey fit karo.
Jab tom Jagatpal key house mey ponch-
gaya, peshab kaey ke bahaney, toilet
jau or odar esko apney jacket ka
ooperwali jeib mey rak kar video
recording activate karo. Pehr jau
Jagatpal ke sa't beytoo.
Yousuf Khan takes the other phone out of the pocket of the jacket.
The phone is connected with a thin wire to it's protective cover.
Khan wears it on top of his Shulwar Kamis showing it to Ranjeet
how to hide the phone between his two legs under his reproductive
organ hanging it from behind his buttt.
RANJEET
Kya yeh phone door sey achey recording
kar saktaheyy?
YOUSUF KHAN
Jee ha. Magar eik baht ka kheyal rakna
ke phone ka back camera bahar ke taraf
ona chaiyeh keyon ke yeh oper wali jeib
ka button, phone ke back camera ke sa't
adjust keya gaya heyy.
RANJEET
Agar Jagatpal ka kesey adami or guards
mujhey kaha keh telephone under leyna
mana hey to keya karonn?
YOUSUF KHAN
Kaho key tomarey phone mey eisa saboot
hey jo eik traitor ka expose karta
hey or Jagatpal sahab khod ney woh
saboot deykna chataheyy.
RANJEET
Agar mey kamyab ogaya, mera inaam
keya ogaa?
YOUSUF KHAN
Agar tom kohey pakka saboot laya, to
mey tomey dou lak or deyta houn or
uskey ooper bee jab yeh larayee khatem
owa, mey apney sari doulat apney
wafadar sahteyou ke darmeyan divide
karonga or oska bee tomara essa
mehfooz raheygaa.
RANJEET
Agar mujhee koch ogaya too?
YOUSUF KHAN
Tomey koch nahey oga or agar koch
bee huwa, to mey tomarey family ko 5
lak deytahoun or tomara bacha ko bee
kesee achey school mey dekhela
karonga. Yeh eik sachey musalman or
eik Khan ka wada heyy.
Ranjeet takes the other I-phone and goes to the washroom.
He fits the cell phone between his two thighs as shown by
Yousuf Khan. Then comes out and wears the jacket putting
the cell phone that has the recorded video of Beam Singh and
Khan's meeting in the right upper pocket of the jackett.
RANJEET
Ab mey chalonn?
YOUSUF KHAN
Abhi nahi. Janey se pehly, tom
Jagatpal ko phone kar key batau key
Mator ke qatel me zaroor Beam Singh
ka ha't hey or kaho key tomarey pass
es baht ka pakka saboot bee hey.
I'm sure ke phone kaey ke ba'd,
Jagatpal tomey kaheyga ke apney saboot
ke saht a'u. Pehr tom chaloo.
Ranjeet calls Jagatpal as told by Yousuf Khan.
RANJEET
Hello Jagatpal sahab! Mey houn
Ranjeett.
JAGATPAL
(sitting in his private
office at his house
and talking with his
partner Mr. Malik)
Ranjeet meyney tomey jaltee aney ko
kahata. Haramkhor, a'ney ka jaga
tomney phone kardeyaa.
RANJEET
Sir, mey Mator ke qatel ke barey mey
koch information or saboot jama kaey
mey busy taa.
JAGATPAL
Keya hey tomarey passs?
RANJEET
Sir! Mey dawey ke sa't kehta hou ke
Mator ke mout ke zemadar, woh Beam
Sing or Yousuf Khan heyy.
JAGATPAL
Es baht ka saheeh sabet kaey kehleyeh
tomara pass keya saboot heyy?
RANJEET
Mator ka Yousuf Khan ke pass ana or
undono ke mulaqat ka videoo.
JAGATPAL
Haramkhor tomney yeh baht pehli keyon
nahi batayaa.
RANJEET
Sir! Mera situation tora sey kharab
hey. Khan ke adami mujhey koteh key
tara peecha kar raha hey or har jaga
mey observation mey houn. Magar a'j
ra't gar janey ka bahana karkey
chottee leya heyy.
JAGATPAL
Tom wo saboot ke sa't abhi or esee
waqt meyre gar auu.
Jagatpal disconnects the phone and rubs his hands starting
to walk in the room coming and going back on the same pathh.
MR.MALIK
Kya baht hey Jagatpal sahab! Bare
beqarar lektey houu?
JAGATPAL
Abhee abhee Ranjeet ney phone per
bataya ke Mator ke mout ke karan,
Beam Sing or Yousuf Khan hey. Yeh
Khan or Haroon amarey leyeh nasoor
banchoka hey. Ab undono ko khatem
kaey kehleyeh, hamey bahot bara
kehl kehlna paregaa.
MR. MALIK
Mey to kehta houn ke kehl Beam Singh
ke saht shoro karengey. Pehr, sab
partners ko message dey kar eik bara
meeting bola deyngeyy.
JAGATPAL
Beam Sing ke saht kelna to saheeh.
Yeh bara meeting bolaney kes kam
kehleyehh?
MR. MALIK
Es meeting mey ham apney partners se
madad mangegey, keyoun ke abtak am
dobar Haroon or Khan ko maey
kehleyeh nakameyab koshishey kar
chokey hey. Osaktahey, teesrey bar
police ham par shak kareyy.
JAGATPAL
Kya tom chatey houn ke undono ke
maey kehleyeh, ham foreign sey
madad leyy?
MR. MALIK
Foreign sey nahey, balkey India ke dosree
states or dosrey gangs sey. Meney sona
ke Haroon or Khan hamisha bulletproof
vest pentey hey or unkey pass eik armored
Land Cruiser bee heyy.
JAGATPAL
Acha! Esey leyeh etney goaleyoun ke
barish ke bawajood bee woh logue
usraht bach gayeyy.
MALIK
Chaleyeh, Beam Singh ka kehl khatem
kaey kehleyeh, a'p subsey pehly
usko edar boladeejeyy.
Jagatpal searches for Beam Singh's name on his cell phone.
He finds the name and presses the green button to make a
call. Then he sits on the couch opposite Mr. Malik putting
the phone on the speaker mode. The phone starts ringing.
The voice of a man comes from the loudspeaker of the phonee.
THE MAN (O.S.)
Namashkar Jagatpal sahab. Kaheyeh
a'p etney deno ke ba'd hamey keysey
yad keyaa?
JAGATPAL
Ham apney khas adameyoun ko, khas
mauqeh or khas kam key anjam deney
kehleyeh ya'd kartey heyy.
BEAM SINGH (O.S.)
Esa kohn sey khas kam hey jo hamey
kaa parega. A'p ka ha't to bohat
ooper tak heyy.
JAGATPAL
Jungle mey jab sher ja'l mey pus
jata hey, to usey bachaney mey choowwa
kam ayega, ha'tee naheyy.
BEAM SINGH (O.S.)
To batahey, yeh choowwa a'p kehleyeh
keya karsakta heyy?
JAGATPAL
Yeh kam tora sey khataak hey. Tom
to jantey hou keh mey har kam bahot
safayee sey karta houn or kabhee
saboot nahey chorta. Eseyleyeh mey
phone par kam ka details nahey bata
hounga. Tom esa karon ke abhi, esee
waqt meyre gar a'u. Waa yeh das
lak ka kam tomare ha't sey gayeee.
BEAM SINGH (O.S.)
Acha sahab. Mey abhi ayaa.
EXT. THE ENTRANCE GATE TO JAGATPAL'S PALATIAL HOUSE - NIGHT
Ranjeet who has got out of a taxi paying its fare, walks
towards the gate of Jagatpal's house. He introduces himself
to a guard who has a Walky-Talky in handd.
RANJEET
Mey houn Ranjeet. Jagatpal sahab ka
khas adami. Mey undar jana chata
houn, woh bee apney cell pone ke
sa't, keyoun ke sahab khod mujhee
phone par aney ko kaha taa.
THE GUARD
(talking via the Walky
Talky in hand)
Hello, Agni 1, Agni 11.
AGNI 1 (O.S.)
Ha, bol Agni 2 kya baht heyy?
AGNI 2
Kesee Ranjeet nam, sahab ke pass
jana chata hey, wo be cell phone ke
sa't. Uska kehna hey ke Jagatpal
sahab usey bolaya hey. Keya usey
ijazat dounn?
AGNI 1 (O.S.)
Eik minute mey pooch kar ke ata hounn.
INT. LUXURY OFFICE - NIGHT
Jagatpal has just finished talking with Beam Singh from his
special luxury office located in his house. He wants to say
something to Malik, but the door is knockedd.
JAGATPAL
Kohn hey, undar auu.
The door is opened from behind and Mohan, his Personal
Secretary comes inn.
MOHAN
Sir, Ranjeet, wo a'p ka informer
guards ke pass gate mey hey. Uskey
pass cell phone hey or uska kehna
hey keh wos phone par koch important
video heyy.
JAGATPAL
Han. Ranjeet phone par baht keya
ta. Mey wos video ko deykna chata
houn. Usey chordo. Let him come
with his mobilee.
MOHAN
Acha sirr.
Jagatpal's personal secretary gets out shutting the door
behind. Contacting by a walky-talky to the guards, he sayss:
MOHAN
Hello, agni 2 agni 2, Jagatpal sahab
ka kehna hey keh woh Ranjeet ka phone
mat leylo. Let him bring the phone
inn.
AGNI 2 (O.S.)
OK sirr.
EXT. BACK TO THE ENTRANCE GATE OF JAGATPAL'S HOUSE - NIGHT
An armed guard accompanies Ranjeet showing him how to go
inside the housee.
RANJEET
(to the guard)
Shukria bai sahabb.
The guard leaves Ranjeet and goes back to his duty point.
Ranjeet gets in and in the lobby he meets Mohan, Jagatpal's
personal secretaryy.
RANJEET
Namasty Mohan bai. Sahab kedar heyy?
MOHAN
(leading Ranjeet to
the door of the room
in which Jagatpal
and Malik are sitting)
Sahab under heyy.
Mohan knocks the door and gets in.
MOHAN
(to Jagatpal)
Sir, Ranjeet bahar kara hey. Usey
a'p ke pass beijounn?
JAGATPAL
Beijou na. Ham to uska intezar kar-
rahey heyy.
Keeping the door half open, Mohan looks back and signals
with his right hand towards Ranjeet asking him to get in.
Ranjeet enters the roomm.
RANJEET
Namashkar Jagatpal sahab. A'p ney
hamey yad keya or ham bee khali ha't
nahi ayaa.
Ranjeet searches his jacket's right pocket and takes his
cell phone out. Opening its video folder, he plays the only
video in the phone which is Beam Singh's meeting with Yousuf
Khan. Playing the video, Ranjeet gives the phone to Jagatpal.
Watching Beam Sing sitting with Yousuf Khan and talking,
Jagatpal gets very angry and hits the phone on the ground.
The phone battery and cover split apartt.
RANJEET
Sir! A'pney mera Rs.50000 ka phone
tota. Ab mey dosra kaha sey lawouu.
JAGATPAL
Mey wos haramkhor Beam Singh ko eysee
saza donga ke pehr kesee or hamare
adami ko maey ke jora't na kareyy.
Ranjeet goes and collects his phone's parts from different
places of the room. He checks the screen and finds that the
protective cover has done its job very well. The I-Phone's
screen is OK. He checks the battery and the phone's back
cover. Nothing is broken, but he acts out as if his phone
is not working anymoree.
RANJEET
Yeh phone to gaya kam seyy.
JAGATPAL
Koyee ba't nahi. Ham tomey eik naya
phone ka paisey deydengeyy.
Jagatpal seeming very restless.
JAGATPAL
(looking at his
wristwatch)
Noh Bach kar chalees minute hey or
yeh Beam Singh abtak nahi ayaa?
MALIK
Woh zaroor ayega, keyoun key woh
janta hey ke a'p ke hukum na maney,
khod mout se barabar heyy.
RANJEET
(putting his hand on
his stomach)
Yeh mera peit ko keya hogaya. A'ney
sey pehly to mey washroom gayata.
Lakta hey woh bahar ka kaney mey
koch kharabi taa.
Making a pause, Ranjeet rubs his stomach.
RANJEET
(to Jagatpal)
Sir! Es kamrey me kohee toilet hey
ke mey bahar jawouu?
JAGATPAL
(Pointing to the door
of the washroom)
Woh tomarey samney darwaza, toilet
ka hey. Jaltey chalo, waa hamara
yeh shandar mehal ka hawa kharab
hoja heygaa.
Ranjeet runs towards the washroom keeping his hands on his
stomach. He opens the door and gets in tuing the lights
onn.
INT. A MODERN SPACIOUS WASHROOM - NIGHT
Ranjeet brings his pants down. He opens the wire from the
cell phone that was placed between his two thighs, activates
the video recording of the phone and puts it on the left
pocket of his jacket with back camera focusing outside. He
also checks his split apart I-phone putting back the battery
and the cover. Tuing on, he finds that the phone is still
working. Ranjeet checks the phone's video recording system
and finds out that it works. He leaves the recording option
active and puts the phone on the right upper pocket of his
coat, washes his hands and gets out of the washroomm.
BACK TO JAGATPAL'S LUXURY OFFICE - MOMENTS LATER
Cleaning his hands with a piece of tissue paper, Ranjeet
walks towards an empty couch to sit, but Mohan, Jagatpal's
personal secretary enter with Beam Singhh.
MOHAN
(to Jagatpal)
Sir, Beam Singh apney bai ke sa't
aya hey, magar meney uskey bai ko
guards ke pass betadeya. Agar a'p
ijazat dey to usko bee boladounn?
JAGATPAL
Nahee. Ham edar private baht kar
rahey hey. Mey nahee chata ke hamarey
raz kesee or ke kahno tak ponchey.
Tom bee torey dehr kehleyeh bahar
jauu.
Mohan leaves the room closing the door behind.
BEAM SINGH
(entering the room)
Namastey Jagatpal sahabb.
JAGATPAL
Khosh amadeid Beam Sing jee. A'ney
mey bahot dehr kardeyaa.
BEAM SINGH
Tora sey dehr aya. Magar aya to
sahehh.
MALIK
(interfering in the
conversation)
Dehr ayad, drust ayadd.
BEAM SINGH
Jagatpal sahab, kahey-yeh, keysa yad
keyaa?
JAGATPAL
Yousuf Khan ko maey kehleyeh.
Sonahey ke Mator ke qattel mey uska
ha't heyy.
BEAM SINGH
Osakta hey sir. Magar mey Khan ko
keysee ma'rsakta houn jabkey a'p
etney powerful hokar bee usko mar-
nahee sakey. A'p to jantey hey ke
a'j kal Khan or uska dost, Haroon,
bahot popular hochoka hey, or logue
unkehleyeh jan deney ko tayyar heyy.
JAGATPAL
Agar logue undono kehleyeh jan deney
ko tayyar hey, to tom, jan leyney
kehleyeh tayyar hojauu.
BEAM SINGH
Woh keyseyy?
JAGATPAL
Jesey ke Mator ko maey kehleyeh
toney Khan ka sa't deya, wesey Khan
ko ma'ey kehleyeh ab mera saht doo.
BEAM SINGH
Mera yaqeen keejey, Mator ko maey
mey mera kohee ha't nahey heyy.
JAGATPAL
(getting a revolver
out of his pocket
and putting it in
Beam Singh's mouth)
Per keyon Khan ke pass chalkar Mator
ke barey mey uske sa't baht keyaa?
BEAM SINGH
Yeh such hey ke mey Khan ke pass
gayata, magar Mator ko meyne nahi
mara. Yeh kesee or ka kam heyy.
Ranjeet comes closer to Jagatpal so that the I-phones may
take some shots from a better angell.
JAGATPAL
(getting very angry
upon Singh's
acknowledgement of
meeting with Yousuf
Khan)
Haramkhor, tomarey karan, mera eik
bahot kam ka adami, zendagee ke
imtehan mey nakam ogaya or uska jawani
ka sahar etna jalty sham ogaya ke
uske wajeh sey mey badnam ogaya.
Esee-leyeh batau hamrazadeh Mator ke
barey mey information deney kehleyeh
Khan sey ketna paisa leyeteyy?
BEAM SINGH
(frightened and short
of breath)
Mey qasam katahoun ke meyne kesee
sey eik paisa nahi leyahey or Khan
ka suparii...
Jagatpal can't control himself and upon listening the word
"suprai" he pulls the trigger and kills Beam Sing on the
spot. The bullet makes a big hole from the back of Sing's
skull and he falls on the carpet. Ranjeet comes closer bowing
to see Beam Sing and then tuing his face towards Jagatpal
standing in fear in front of himm.
JAGATPAL
(to Ranjeet)
Tom be deyklo amarey sa't ghaddari
kaey ka anjamm.
Jagatpal walks towards a bookshelf that is put in the coer
of his office. He takes one of the books out behind which a
couple of switches appear. He puts his finger on one of the
switches pressing it for two consecutive times. Suddenly
the wooden cupboard moves to the side and the door of an
elevator appears. Jagatpal presses the elevator's button
and after a few seconds, its door opens and two armed guards
seeming to be on duty appearr.
JAGATPAL
(to the Guards)
Woh lash ko carpet ke saht leyjau or
samandar mey piekdo. By the way,
eska bai bee odar main gate mey guards
ke pass wait kar-raha hey. Mohan
sey kaho ke en dou baiyoun ke mulaqat
karwadoo.
The guards moves towards Beam Singh's body lying drowned in
blood on the blue carpet. They roll the body into the carpet
and take it into the elevator. The lift goes down and
everything disappears from sight and the book shelf
automatically retus to its initial formm.
CUT TO:
Lyrics of songs in Hindi for the movie In Pursuit of Love...ما را در سایت Lyrics of songs in Hindi for the movie In Pursuit of Love دنبال میکنید
برچسب: نویسنده: بازدید: 224